April 1, 2016

Tips for Fiction

Do you like to write for kids?  Would you like to see your stories published in a children's magazine?  Here are some tips to help you create great fiction. 

Introduce the main character in first paragraph.
Make the main character likable even though she may have faults.  
Establish the place or setting in the first or second paragraph.
Create conflict in the first third of the story.
Have the main character solve the dilemma without any help from others.
Use ‘said’ for dialogue tags.  Avoid using she frowned, he promised, she cried, etc.  
Try to incorporate the senses into the story.
Drive the story with action.  
Give the ending an unexpected twist.
Have main character grow or change by the end of the story.

After you have finished your story, put it on the back burner for a few days.  When you come back to it, read again to check for punctuation and spelling errors.  Trim words. Make sure the piece flows smoothly.  Then, give the story to a trusted reader for his opinions and suggestions. Edit again.  And again.  

Before you send out your story, read over the helpful tips.  Have you followed those suggestions?  Fantastic!   And congratulations!  You have created fiction that will be ready to submit to a children's magazine. 


March 15, 2016

To Be, or Not To Be Snappy

Many publishers and literary agents agree that queries should be professional.  That means the letter needs to be straightforward without any outward attention-grabbing devises. 

There are however, some writers who believe that a witty query will help them stand out from the slush pile. Some writers like to send a query written in the voice of the main character.  I wouldn't recommend this tactic.  It is usually frowned upon by agents.  

Other writers have met agents at conferences, and they feel confident enough to approach them with a snappy synopsis or bio.  Again, there is no guarantee that a writer will snag an agent this way.  

Literary agent Mary Kole says, “The point is, some agents will always prefer a straightforward, businesslike query.  Others will tolerate some cuteness or gimmick. You don't know who's who until you try it, though, even even then, most people won't tell you if that was part of the decision to pass."

I personally wouldn’t try a gimmicky query, but that’s just me talking.  I’d be afraid my clever query might backfire.  Even if my story is titled “The Bright and Brainy Pony ," I’d be scared to label myself as a bright and brainy writer in my bio.  Though it’s clever and plays on the title, it’s risky.  And…I’m not a risk-taker. 

So, how will you write your query?  Will it be snappy or strickly professional?  In the end it comes down to your gut feeling.  To paraphrase a quote from the movie Dirty Harry:  “You’ve gotta ask yourself one question: “Do I feel lucky?  Well, do ya?”

March 1, 2016

The Five Senses on a February Day

I like to walk for about an hour around my neighborhood even when it's freezing.  Only snow and rain keep me inside. So bundled with layers of clothing, plus gloves, ear muffs and a scarf up to my chin, I brave the cold.  

Here are the five senses on a brisk February day before I sit down to write.

I Hear:  
blue jays screeching 
fire engine siren screaming 
train whistle wailing 
dogs barking, snarling, and growling 
wind chimes tinkling

I Smell:  
smoke from a fireplace
the flowery scent of laundry being dried
dry cold air
damp oak leaves 

I Feel: 
a breeze sailing through my hair
wind striking my face
cold cutting through my jeans
fur-lined gloves warming my hands

I See:  
10 American flags, 8 Christmas decorations, and 6 University of Kentucky Wildcat flags
the sun peeking through thick grey clouds
a discarded beige leather sofa by the street curb
wine-colored buds trying to push out on oak trees
a cluster of emerald-green hyacinth leaves waiting for spring 

I Taste
nothing yet until dinner (pan-fried pancetta tossed with brocolini served over pasta)

Coming March 15th:  To be or not to be snappy. How witty should a query letter be? 



February 15, 2016

Tips in Choosing Titles

How do you choose a title for your story or article?  Do you have one in mind before you write the piece?  How do you know if it's a good title?

The purpose of a title is to give a reader some idea about the content of a piece.  It is the first thing that I look at when reviewing a submission for Kid's Imagination Train.  But sometimes a title may fail to promise what it plans to deliver.  For instance, several months ago I received a nonfiction submission with a title that led me to believe that the piece would be about scientists helping people in unique ways.  Instead, the article centered on inventions. The title was misleading.

Titles can be straightforward and to the point, or they can be creative and lively.  Ideally, titles should pique a reader’s interest.  In a recent submission to KIT, I received a wonderful poem titled "What do Bears do in the Rain?" The title immediately captured my attention.  An article written by Erin K. Schonauer and Jamie C. Schonauer and published in Stories for Children Magazine was titled "The Cresent's Ghostly Guests".  Makes you curious, huh? 

Here are some tips in choosing titles:

Choose a title after you have written the article. 
Keep the title short.
Use playful titles and alliteration for a very young audience. 
Use snappy titles for older children.
Create intrigue.
Read your article again and see if the title is a good fit.

Whether it's fiction or nonfiction, a title must relate to the content of the piece.  In the bear poem, we learn exactly what bears do in a downpour.  And in the ghost article, we discover where haunts occur and and why.

A good title whets a reader's appetite.  It gets them in the mood to read your work. When you choose a title that relates to the essence of a story, article or poem, you won’t disappoint your audience.  You will deliver what you have promised.




February 1, 2016

The Power of No

How do we feel when we hear the word no?  When a publisher or an agent says no (as in a rejection), it stings us temporarily.  We move on and submit again because rejections are part of the writer's life.  But how do we feel when an acquaintance or a relative tell us no?  Often, we feel miserable for quite a long while.    

People use the word no to assert themselves or to feel superior.  As a result, this little word invalidates our remarks and leaves us speechless, powerless, and crushed.  This is a form of bullying—intimidating someone verbally, through e-mails, or with text-messaging.   

Most writers have experienced rejection from a publisher or agent, but this is not a form of bullying.  It is a method that is used to convey that a submission is not up to standards. However when we deliver the perfect manuscript, that rejection can turn into an acceptance. 

On the other hand, people who habitually say no have developed a trait that can rarely be changed.  Anything we utter (or e-mail or text) will and shall be met with nope.  So, to shield ourselves from being hurt, we can focus on what we can change.  We can steer clear of toxic people.  We can politely limit contact and conversation.  Then when we do so, we can surround ourselves with people who communicate with more respect.     

Coming Feb. 15:  A post on tips for choosing titles 

January 1, 2016

A New Year’s Wish

As you know, writing for children is not easy.  We freak out when nothing comes to mind when we want to begin a new story.  We lose faith when agents and publishers reject our work.  We get sensitive over a critique member's remarks, or feel exasperated when friends or family just don't get what it takes to write for kids.

Still, we strive to create just the right story that can be told with just the right words and with just the right number of words because we love to write for kids.  

We know it's not easy, but sometimes we need a little encouragement.  

So I remind you to never give up, to believe in YOU, to know that you will succeed.




To all of my faithful readers, I wish you many days filled with the joy of writing. 



December 15, 2015

Keeping a Submission Log

Do you keep a log of your submissions?  I'm betting most writers do so.  But, I learned that some writers aren't interested in keeping records.  I was shocked.  How do writers keep track of their submissions if they are not written down or recorded?  

Keeping a submission log doesn’t have to be complicated.  A notebook or a word doc. will suffice.  List the title of your manuscript and the agents or publishers that you’ve contacted, their email addresses, and the date that you sent your submission.  You can format it anyway you like, even use color coding.  (I use orange for dates of submission, green for acceptances, and purple for rejections). 

Then in a few weeks, mark your submission to indicate if it’s been accepted and the date it will be published. You can even note the amount of payment.  If your submission was rejected, note that date, too.  When you have a record of your submissions, you will know when to follow-up if you haven’t heard back from an editor. And, with a complete list of your submissions you will be able to refer to it as you continue to submit new work.  

Keeping submission records is an important part of the writing life.  It's what writers do. Don't expect (or even ask) an editor will find your submissions.  She doesn't have the time and it’s not her job to keep track of submissions for you.  It’s your job to keep good records.