Three Reasons for a NF Rejection

You submit an article to a children’s magazine.  Several weeks later, you receive a form rejection. This news sucks.  It's not only depressing, it's vague.  The letter doesn’t explain why your work was rejected.  The chance to re-submit to this market is slim because you don’t know how to improve your article. 

Children's magazines reject articles for a variety of reasons.  Some editors will reject a piece if the research isn't sufficient.  Other editors may find the subject of a submission inappropriate for the age group.  

At Kid’s Imagination Train e-zine, we rarely hand out rejections but if we do, we give an explicit reason for the rejection.  When it comes to nonfiction, there are three top reasons for turning a piece down:  the word count is not within the expected range, an expert review is missing, or the vocabulary and grade level is too advanced. 

If the word count is over 500 words, the writer needs to tighten the piece.  This can be achieved by removing unnecessary words and irrelevant facts.  If the word count is too short, then the author will need to do a little more research and add pertinent and interesting information.

For KIT, all nonfiction requires an expert review.  Depending on the topic, a writer can find experts listed on a university website or a zoological website, or associated with a professional organization. Having an expert review gives the assurance that the research presented in the article is accurate.

Often times, KIT receives articles that are too advanced for our audience.  Our readers are kids ages five through twelve, but sometimes we get pieces that are more for high school students.  Writers can use the Flesh-Kincaid scoring tool (http://www.readabilityformulas.com/free-readability-formula-tests.php) to calculate the grade level.  If the score is too high, the author can lower the level by turning compound sentences into simple sentences and by using grade-appropriate vocabulary.

KIT doesn’t send out form rejections.  Our philosophy has always been to explain why a piece is not ready for publication.  We offer suggestions for improvement.  Writers who submit to KIT often get a second or even third chance to submit their work again—and this indeed is good news.

I'm excited that my debut picture book Maggie and the Summer Vacation Show-and-Tell will be released this summer.  For news and updates, check out:  www.themaggieproject.blogspot.com and www.randilynnmrvos.com

Getting to Know your Characters

When you create characters for your stories, what kinds of traits do they have? What do they look like physically?  What are their personalities like?  What are their relations to others?  

Some writers know everything about their protagonists before they begin writing a new story. It was the opposite for me.  In my upcoming book Maggie and the Summer Vacation Show and Tell, the story took off well before I knew what the protagonist Maggie looked like. I had some idea about her personality.  

It seems strange to me that I didn't picture Maggie before I first set out to tell her story. However, halfway into the plot that all changed. The moment Maggie faced a huge problem, her personality solidified and her appearance became apparent, red hair and all.

These are some words that describe Maggie:                                                   

a curly-haired redhead

a first-grader

a student in Ms. Madison's class

a classmate of Emma, Sara, Ally, and Freddie

a woe-is-me, Charlie Brown-like character 

a sister and daughter

a dreamer 

a dog owner

imaginative 

spunky

quirky

determined

loving and lovable

a kid with a big school problem

Every writer has a different approach to creating characters.  So, don't worry that you may not know what your main character looks like when you first start off to write your story.  Be patient.  By the time you have developed the conflict, you will begin to picture the physical traits of your protagonist, get to know her personality and understand her relationships with others.

For more on Maggie, check out:
www.themaggieproject.blogspot.com and www.randilynnmrvos.com

Guest Blog: Tips on Writing a Series

Children's Writer's World warmly welcomes author Rita Monette.

How is writing a series different than writing a stand alone book? 
If you don’t know ahead of time you are going to create a series, it can catch you off guard. You will find yourself researching your own books for information.

When I wrote The Legend of Ghost Dog Island, book one in the Nikki Landry Swamp Legend Series, I didn’t intend to write a series. I merely wanted to write a story about my childhood growing up in the Louisiana bayous. Then it became about a legend my father used to tell. When I got to the end, I began thinking about other legends I could have my characters involved in. But that’s a far as it got. That was until some of my readers began asking for more.

As I began book two in the series,The Curse at Pirate’s Cove, I realized that writing the second book wasn’t going to be easy, when I thought it would be a piece of cake. Little did I know how difficult it would be to keep track of all the characters and their physical traits, voice, and mannerisms a whole year after writing the first book.

It wasn’t until I started compiling book three of my series, The Secret in Mossy Swamp, that I decided to create a notebook with a page for each character mentioned in books one and two. Something as small as eye color, or as complicated as a secondary character’s parents’  occupation, can send you scurrying when it comes up again.

Another problem I’ve found with a series is that, if you don’t want to drag a character, or pet, through many books, and you can’t bear to kill them off, think twice about putting them in to begin with. So now I have to tell my hero NO when she asks for another pet.

Still, there is the issue of a reader reading your books out of sequence. I’ve stumbled upon the problem of revealing the mystery in book one, by bringing to life a character in book two that was suspected as dead in the beginning of book one. Thank goodness for second editions.

You can visit Rita's blog at: 
http://ritamonette.blogspot.com  

https://www.amazon.com/Legend-Ghost-Dog-Island/dp/0994749090/ref=sr_1_1?s=books&ie=UTF8&qid=1440004616&sr=1-1&keywords=Rita+Monette

https://www.amazon.com/Curse-Pirates-Nikki-Landry-Legends-ebook/dp/B016JC8LVM

https://www.amazon.com/Secret-Mossy-Swamp-Rita-Monette/dp/1987976169

Guest Blog: Writing a Review

Children's Writer's World warmly welcomes book reviewer Elizabeth Tipping.

I’m delighted to be writing a guest post for Children’s Writer’s World! I regularly post book reviews on my blog, 2 Cooks Crafting Books:  https://2cookscraftingbooks.wordpress.com/author/2cookcraftingbooks/ 
I’d like to share my process for reviewing and the style of review you’ll find on my blog.

My first step is to identify the book I want to review. Since my goal is to share “great books,” I am picky about what I include on the blog. This means I do A LOT of reading! Fortunately, my kids would rather read with me than do almost anything else, so we do a fair amount of reading in my house. Plus, I love reading on my own.

If I’ve read a book with one (or both) of my kids, one of the things I look for in deciding whether it should be featured is how my child responded to it. My kids will sit through a technical manual if it is being read out loud, so I want to see something more than attention from them.

Last night, for example, my daughter and I read the fantastic BOB, NOT BOB! by Liz Garton Scanlon and Audrey Vernick. BOB, NOT BOB! is “To be read as though you have the worst cold ever” since that is the condition that poor Little Louie finds himself in. So, although we were at a restaurant, I read the appropriate passages as though I had “the worst cold ever.” Once my daughter got control of her laughter, she kept stopping me so that she could call across the table to her older brother to listen to the book. That’s a hit, for sure!

In my review, I provide a bit about the story—without ever giving away too much about what happens. In BOB, NOT BOB!, Little Louie’s cold is making him have a “weird, all-wrong, stuffed-up voice.” Every time he calls for his mom, it comes out “BOB!” Louie’s family also has a dog named Bob, who comes running when Louie calls.

When Bob (the dog) arrives, Louie shouts, in his stuffed-up voice: “NO! I wan by BOB, not BOB! BOB! BOB! BOB!” Although I can’t replicate it here, when Louie shouts BOB! and means his mom, the O has a heart in the middle. When it is BOB! the dog, it is a normal O. It’s a lovely way to help young readers figure out which BOB! Louie really means.

When I’m done describing the book (which may also include such things as character, point of view, or illustrations), I take some time to research the author. I always try to give a little information about the book’s author, and occasionally the illustrator. This section also includes the address for the author’s website or blog, and why someone might want to check out the author’s website (if there’s something extra offered, such as activities or teaching guides).

BOB, NOT BOB! has two authors: Liz Garton Scanlon and Audrey Vernick. Ms. Scanlon’s website is www.lizgartonscanlon.com. There, she has teachers’ guides for all of her books (some of the guides have crosswords, games, and crafts included!). Ms Vernick’s website is www.audreyvernick.com and it includes a link to her blog.

Finally, I conclude every review by asking for recommendations of other great books to read. We are all enriched by sharing great books with one another!

School Career Day

Recently, I had been invited by an instructor at the School for Creative and Performing Arts in Lexington, Kentucky to participate in the school's career day program. It's exciting to think that a presentation just might give middle-graders some insight into becoming a writer.

Since I haven't any experience with this kind of event, I goggled how to give a career day presentation.  There are quite a few websites that offer excellent ideas and instruction. This one got me started:  https://www.mcwt.org/files/mcwt2012/1/file/foundation/MCWTF%20Parents%20and%20Teachers%20Docs/Career%20Day%20Speaker%20Tips_Oct2013.pdf  

Most speakers begin with a brief introduction, their job title and how they ended up choosing their career.  Next, presenters reveal what a typical day is like and then relate the skills they use each day to the school subjects students take.  A good chunk of the presentation centers on the positive aspects of a career and why the career matters, and closes with the career paths kids can follow.  

I’m thinking about the kinds of props that will be needed to make the presentation lively, attractive and intriguing to students. Bringing things from my desk might do the trick: colorful notebooks, my red laptop, post-it notes, writing technique books, and an artsy desk lamp.  

There’s still a lot to do in the next two weeks (memorizing and practicing) and I am hopeful everything will turn out fine.  In the meantime, if any of you have ever done a career day or if you have suggestions that would make an interesting presentation for middle graders, I would love to hear from you.  

Three Tips to Help Your Picture Book Come to Life

Illustrator Alison Lyne has amazing advice for picture book writers. 

Add in Action Words

One of the first things I look for, when I'm reading a PB manuscript is “action” words.  I look to see just what the main character is actually doing....even if I don't know what that character actually looks like...yet. Based on those action words, I begin to  sketch out  that character. This sheet is a sample of my process for Little Things Aren't Little When You're Little.

Leave a bit of Space in your PB Writing

One of the second things I look at in a manuscript is points in the story that I can add in my “take” on a story. In Petite Rouge, A Cajun Twist to an Old Tale, (a Little Red Riding Hood tale with a swamp instead of a woods and a gator instead of a wolf) I found a bit of “room” in story to inject my reasoning why a little girl wouldn't recognize that her grandma was a monster. My solution was the gator had bounced the near-sighted little girl's red glasses right off her nose. Petite Rouge just couldn't SEE the monster.

Check the Flow of your Story

Finally, I look at how the story flows. I do that with a book chart of the pages that are in a 32 page picture book. When you flip thru a picture book, you always have a two page spread open in front of you, at any given time. Those pages are shown linked together. Stagger your emphasis to encourage your reader to “turn that page”.

Try these three tips to help you visualize how your picture book story will come to life.

Dark Humor

When you write for children ages  3 - 6, the poem or story should entertain and delight. Fictional pieces should not frighten very young children, even if the piece is told in jest. Parents may appreciate the humor, but a child might get upset or be confused.

For instance, I received a story for Kid's Imagination Train about a young person who had invited a group of animals over for a play date.  This is a cute idea and the writer was off to a good start. The piece was lively and amusing.  But towards the end of the story, the mood got dark.  The more ferocious animals began to eye the other harmless animals. Do you see where this is going?  Yep, the vicious animals ate the defenseless animals—bones, fur, scales and wings and all. 

If handled delicately, dark humor may work for young kids.  However, this kind of humor is usually better suited for an older audience.  If you want to write a piece like this, you should find a publication whose audience ranges from 8 - 12 years old.  You can find out if an editor publishes this kind of humor by reading some back issues of the magazine. And, you can query the editor to find out if she would be interested in such a story before you submit it.  

Always remember your audience when you are writing for kids.  If you want to write for very young children, keep the writing lighthearted and playful. But if you want to create scary, then make sure these kinds of stories end up in the hands of older readers.